{"id":83,"date":"2020-01-10T23:15:12","date_gmt":"2020-01-10T23:15:12","guid":{"rendered":"http:\/\/www.williamaharper.com\/?page_id=83"},"modified":"2022-01-15T20:33:04","modified_gmt":"2022-01-15T20:33:04","slug":"exhibitions","status":"publish","type":"page","link":"https:\/\/www.williamaharper.com\/exhibitions\/","title":{"rendered":"Exhibitions"},"content":{"rendered":"

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Lifetime and Memorial Exhibitions<\/strong><\/p>\n

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Paintings highlighted with asterix are in the Paintings Gallery. Last updated: February 21, 2020.<\/strong><\/p>\n

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Year<\/strong><\/td>\nExhibition<\/strong><\/td>\nPainting<\/strong><\/td>\nCatalogue
Number<\/strong><\/td>\n		Comments<\/strong><\/td>\n<\/tr>\n
1899<\/td>\n6th<\/sup> Annual Exhibition of Art Students\u2019 League 1899<\/strong><\/td>\nFour separate landscapes –
priced from $5.00 to $25.00<\/td>\n		Nos. 40-43<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n  Charlie – $2.50<\/td>\nN0. 218  <\/td>\n <\/td>\n<\/tr>\n
1901<\/td>\n7th<\/sup> Annual Exhibition of Art Students\u2019 League 1901<\/strong><\/td>\nMidday<\/td>\nNo. 32<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/strong><\/td>\nAugust<\/td>\nNo. 33<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/strong><\/td>\nThe Meadow<\/td>\nNo. 34<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/strong><\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
1902<\/td>\nExhibition of Works by Chicago Artists, Art Institute of Chicago, February 3- March 2, 1902<\/strong><\/td>\nThe Lake in the Hills<\/td>\nNo. 93<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/strong><\/td>\nThe Green of Summer<\/td>\nNo. 94<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nFirst Sign of Autumn*<\/td>\nNo. 95. 
Photo of painting in Brush and
Pencil<\/em>, Vol. 9, No. 6 (Mar. 1902), pp 336-46 \u2013 \u201cWork of Chicago Artists\u201d.<\/td>\n		 <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
1903<\/td>\nExhibition of Works by Chicago Artists, Art Institute of Chicago, February 1-March 1, 1903<\/strong><\/td>\nEucalyptus $100<\/td>\nNo. 90<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/strong><\/td>\nThe Old Mulberry $100<\/td>\nNo. 91<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/strong><\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
1904<\/td>\nExhibition of Works by Chicago Artists, Art Institute of Chicago, January 28- February 28, 1904<\/strong><\/td>\nCornish Upland, Cornwall, England. $100<\/td>\nNo 82<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/strong><\/td>\nAn Ilex at St. Cloud, France. $35.<\/td>\nNo 83<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/strong><\/td>\nA West Country Slope Corner. $50.<\/td>\nNo. 84<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/strong><\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
1905<\/td>\nExhibition of Works by Chicago Artists, Art Institute of Chicago, January 21-February 26, 1905<\/strong><\/td>\nMorning, Midsummer, Cornwall, Eng. $150<\/td>\nNo. 100<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nEarly Afternoon, Montigny, France.* $150<\/td>\nNo. 101. 
Photo of painting in catalogue. 
Also in The Voice of the Negro<\/em>,
Vol, 3, p. 117 – \u201cWilliam A. Harper\u201d, by Florence L. Bentley.<\/td>\n		Sold to T.E.Donelly of Donelly & Sons, Chicago, per The Voice of the Negro<\/em>, Vol, 3, p. 117 – \u201cWilliam A. Harper\u201d, by Florence L. Bentley.  Now at Howard University in  Washington, D.C. (reverse image in article). <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nThe Hedgerow, Cornwall, Eng. $100<\/td>\nNo. 102<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nEventide, Cornwall, Eng.* $50<\/td>\nNo. 103. 
Photo of painting in The Voice
of the Negro<\/em>, Vol, 3, – \u201cWilliam A. Harper\u201d, by Florence L. Bentley<\/td>\n		Sold to “another Chicago art lover”.<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nBanks of the Loing, Montigny, France.* $100<\/td>\nNo. 104.  Photo of painting in The World To-Day<\/em>, Volume VIII, 1905, \u201cWestern Artists who stay in the West, by James Spencer Dickerson, and  <\/em>
The Voice of the Negro<\/em>, Vol, 3, – \u201cWilliam A. Harper\u201d, by Florence L. Bentley<\/td>\n		 <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nThe Potato Field, Cornwall, Eng. $35<\/td>\nNo. 105<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nLobbs House, Cornwall, Eng. $35<\/td>\nNo. 106<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nGrey Day, Cornwall, Eng. $35<\/td>\nNo. 107<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nQuiet Morning, Cornwall, Eng. $35<\/td>\nNo. 108<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\nO\u2019Brien Galleries exhibition [research Archives of American Art]<\/em>]<\/td>\n2 paintings<\/td>\n <\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
1906<\/td>\nTenth Annual Exhibition of the Society of Western Artists<\/strong><\/td>\nYoung Poplars and Willows*<\/td>\nSee:  Brush and Pencil,
<\/em>Vol.
17, No. 1 (Jan., 1906), pp. 22-26.  Report
on Tenth Annual Exhibition of the Society of Western Artists.  Photo of painting in The Voice of the Negro<\/em>, Vol, 3, – \u201cWilliam A. Harper\u201d, by
Florence L. Bentley.<\/td>\n		 <\/td>\n<\/tr>\n
 <\/td>\nExhibition of Works by Chicago Artists, Art Institute of Chicago.  January 30-February 25, 1906.<\/strong><\/td>\nEarly Evening, Cornwall, Eng. $200<\/td>\nNo. 107<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nLowland Pastures.* $250<\/td>\nNo. 108. 
Photo of painting in Catalogue.<\/em> <\/td>\n		 <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nThe Cabbage Patch. $200<\/td>\nNo. 109<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nThe Last Gleam. $75<\/td>\nNo. 110<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nThe Hillside. $50<\/td>\nNo. 111<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nThe House in the Hollow. $40<\/td>\nNo. 112<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nGrey day. $35<\/td>\nNo. 113<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n19th Annual Exhibition of Oil Paintings and Sculpture by American Artists.  October 16-November 29, 1906.<\/strong>  <\/strong><\/td>\nA Bit of Lincoln Park<\/td>\nNo. 151<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/strong><\/td>\nOn a Day<\/td>\nNo. 152<\/td>\n <\/td>\n<\/tr>\n
1907<\/td>\nExhibition of Works by Chicago Artists, Art Institute of Chicago.  January 29-February 24, 1907<\/strong><\/td>\nGray Day. $40 [Same as 1905?  Note different spelling.]<\/td>\nNo. 113<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nThe Road. $40<\/td>\nNo. 114<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nDusk. $200<\/td>\nNo. 115<\/td>\nListed
in Catalogue of Paintings, Etchings, Engravings and Sculputre<\/em> of the Union League
Club of Chicago, compiled by L. M. McCauley, pgs. 14 and 49 \u2013 1907.  Per A History of the Art Collection of
the Union League Club of Chicago, Joan G. Wagner, this painting was sold
at auction by the Union League Club in 1984.<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nHalf Leafless and Dry.* $150<\/td>\nNo. 116. 
Photo of painting in catalogue. Photo also in The World To-Day, <\/em>\u201cThe Artist Out of Doors\u201d, by James Spencer
Dickerson, 1907, January 1-June1, under the name \u201cIn Sere and Yellow Leaf\u201d.<\/td>\n		National Gallery of Art in Washington, D.C. <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nCornish Hills. $150<\/td>\nNo. 117<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\nMarshall Field & Company, exhibition of Oil Paintings and Water Colors in the Picture Galleries.  <\/strong>Announcement in Chicago Tribune dated May 27, 1907<\/td>\nUnknown.<\/td>\n <\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\n <\/em><\/td>\n <\/td>\n<\/tr>\n
1908<\/td>\nExhibition of Works by Chicago Artists, Art Institute of Chicago.  February 4- March 1, 1908.<\/strong>  <\/strong><\/td>\nAutumn Sunshine.  $200<\/td>\nNo. 113<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/strong><\/td>\nOld House and Vines.  $150<\/td>\nNo. 114. 
Bulletin of the Art Institute of
Chicago, <\/em>Vol. 1, No. 3 (April 1908), \u201cThe Recent Exhibition of Chicago Artists\u201d.
pp. 35-36, states that painting received a prize of $100 from the Young
Fortnightly Club.<\/td>\n		 <\/td>\n<\/tr>\n
 <\/td>\nOne-man exhibition at Milllikin University.  September 1908. <\/strong><\/td>\nUnknown  <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n21st Annual Exhibition of Oil Paintings and Sculpture by American Artists.  October 20-November 29, 1908.<\/strong><\/td>\nIllinois Landscape*<\/td>\nNo. 121. 
Photo of painting in the Inter
Ocean, <\/em>November 8, 1908.<\/td>\n		 <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nHotel de France<\/td>\nNo. 122<\/td>\n <\/td>\n<\/tr>\n
1909<\/td>\n13th Annual Exhibition of the Society of Western Artists.  January 5-January 24, 1909.<\/strong>  <\/strong><\/td>\nOctober in France<\/td>\nNo. 54<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/strong><\/td>\nThe Mid Days of Autumn<\/td>\nNo. 55<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n Exhibition of Works by Chicago Artists, Art Institute of Chicago.  February 2-February 28, 1909<\/strong><\/td>\nAugust in France. $300<\/td>\nNo. 127<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/strong><\/td>\nOld Houses, Montreuil. $100<\/td>\nNo. 128<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/strong><\/td>\nLate Afternoon. $250<\/td>\nNo. 129<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n22nd Annual Exhibition of Oil Paintings and Sculpture by
American Artists.  October 19-November
28, 1909.  <\/strong>
 <\/strong><\/td>\n		Pueblo Indians<\/td>\nNo. 122<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nThe Steps – Mexican Scene<\/td>\nNo. 123<\/td>\nAmerican
Art News, <\/em>Vol.
8, No. [7\/8?], Dec. 4, 1909, pp. 1-8 reports sale of \u201cMexican Scene\u201d, with no
further specifics.<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nAmong the Hills<\/td>\nNo. 124<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
1910<\/td>\nExhibition of Works by Chicago Artists, Art Institute of Chicago.  January 4-January 30, 1910<\/strong><\/td>\nA Mexican Kitchen<\/td>\nNo. 106 in 1910 AIC Exhibition Catalogue (per
Exhibition List<\/td>\n		 <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nA Morning in the Market<\/td>\nNo. 107<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nA Mexican Landscape<\/td>\nNo. 108<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nThe Morning Chat<\/td>\nNo. 109<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nThe Patio<\/td>\n

No. 110<\/p>\n

Same as No. 31 in Memorial Exhibition Catalogue?<\/p><\/td>\n

 <\/td>\n<\/tr>\n
 <\/td>\n14th Annual Exhibition of the Society of Western Artists.  February 8-February 27, 1910.<\/strong>  <\/strong><\/td>\nAutumn, French landscape<\/td>\nNo. 50<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nMexican Scene<\/td>\nNo. 51<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\nExhibition in Los Angeles, California.<\/td>\nSummer in France<\/td>\nPer Los Angeles Herald (Los Angeles, California, <\/em>\u201cArt Notes\u201d, 1910, August 28<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\nExhibition of Paintings by William A. Harper, Art Institute of Chicago.  July 26-August 28, 1910<\/strong> (Memorial Exhibition).<\/td>\nWinter in France<\/td>\nNo. 1<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nIn Mexico<\/td>\nNo. 2<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nA bridge in Mexico<\/td>\nNo. 3<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nOld houses, Montreuil, France<\/td>\nNo. 4<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nMexican landscape<\/td>\nNo. 5<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nOuter ramparts, Montreuil, France<\/td>\nNo. 6<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nHalf leafless and dry*<\/td>\nNo. 7<\/td>\nSame as in Feb. 1907 exhibit?<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nTall pines<\/td>\nNo. 8<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nGroup of nine landscape sketches.<\/td>\nNo. 9<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nLate afternoon<\/td>\nNo. 10<\/td>\nSame as in Feb. 1909 exhibit?<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nGroup of nine sketches<\/td>\nNo. 11<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nTree trunks<\/td>\nNo. 12<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nRainy day I the town<\/td>\nNo. 13<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nThree Mexican women.*<\/td>\nNo. 14<\/td>\nSee, www.justanswer.com<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nAutumn day in France<\/td>\nNo. 15<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nPine trees and landscape<\/td>\nNo. 16<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nGroup of four sketches<\/td>\nNo. 17<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nAugust in France<\/td>\nNo. 18<\/td>\nReproduced in the Chicago Record Herald, August 7, 1910.  Same as in Feb. 1909 exhibit?<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nMidday in August<\/td>\nNo. 19<\/td>\nReproduced in the Chicago Record Herald, August 7, 1910. Sold by Bonhams 2011 for $3,125, under the name “Late Summer Landscape” (from private collection in Illinois).  <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nIllinois landscape<\/td>\nNo. 20<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nMexican village<\/td>\nNo. 21<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nThe pepper tree<\/td>\nNo. 22<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nThe market garden<\/td>\nNo. 23<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nThe stream<\/td>\nNo. 24<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nThe terrace<\/td>\nNo. 15<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nWood interior<\/td>\nNo. 26<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nThe moat<\/td>\nNo. 27<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nOctober in France<\/td>\nNo. 28<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nThe fields<\/td>\nNo. 29<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nHotel de France<\/td>\nNo. 30<\/td>\nSame as in 1908 exhibit? <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nThe patio*<\/td>\nNo. 31<\/td>\nSame as in January 1910 exhibit?  <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nOld houses and vines<\/td>\nNo. 32<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nThe court<\/td>\nNo. 33<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nThe stairway*<\/td>\nNo. 34<\/td>\n

Savannah College of Design collection?<\/p>\n

Is this the one that was lent from the
Barnett Collection in 1940 for Exhibition of the Art of the American Negro?<\/p><\/td>\n<\/tr>\n

 <\/td>\n <\/td>\nA quiet village<\/td>\nNo. 35<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nStudy of trees<\/td>\nNo. 36<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nLandscape study<\/td>\nNo. 37<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nThe field of gold<\/td>\nNo. 38<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nA morning chat<\/td>\nNo. 39<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nA group of trees<\/td>\nNo. 40<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nThe ruin<\/td>\nNo. 41<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nSpreading trees<\/td>\nNo. 42<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nThe stone house<\/td>\nNo. 43<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nAutumn sunshine<\/td>\nNo. 44<\/td>\nSame as in Feb. 1908 exhibit?<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nThe riverbank<\/td>\nNo. 45<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nAutumn, France<\/td>\nNo. 46<\/td>\nSame as in earlier 1910 exhibit?<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nThe valley in the hills, Mexico*<\/td>\nNo. 47<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nA Mexican hut<\/td>\nNo. 48<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nA street in Mexico<\/td>\nNo. 49<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nThe cactus<\/td>\nNo. 50<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nMorning in the market<\/td>\nNo. 51<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nA Mexican kitchen<\/td>\nNo. 52<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nForsaken house<\/td>\nNo. 53<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nHouses<\/td>\nNo. 54<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nThe shaded walk<\/td>\nNo. 55<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nThe village on the river<\/td>\nNo. 56<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nThe hedge<\/td>\nNo.  57<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nThe river and the willows<\/td>\nNo. 58<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nThe bridge across the river<\/td>\nNo. 59<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nCattle grazing<\/td>\nNo. 60<\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n

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<\/p>\n

<\/p>\n\n\n<\/p>\n

Post-1910 Exhibitions<\/strong><\/p>\n

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<\/p>\n

<\/p>\n\n\n<\/p>\n

\n\n\n\n\n\n\n\n\n\n\n\n

1922<\/p>\n<\/td>\n

Exhibit of Art Institute of Decatur, Illinois<\/strong>    <\/td>\nExhibited
35 paintings owned locally.  Only title
known:  \u201cGolden Autumn\u201d.<\/td>\n		 <\/td>\nLoaned
by Mrs. Harry Haines (29), Mrs. Adolph Mueller (1 \u2013 \u201cGolden Autumn\u201d), Mrs.
J.W. Osgood (1), Mrs. Eda Pegram (2), and Mrs. Charles Willis (1).<\/td>\n<\/tr>\n
1927<\/td>\nExhibition of the AIC and the Chicago Woman\u2019s Club<\/strong>.<\/td>\nExhibited
4 landscape paintings; titles unknown. <\/td>\n		 <\/td>\nLoaned
by Mr. Charles Burkholder, Mr. Walter J. Sherwood, Mrs. R.S. Brooke, and Mr.
Max Keitz.<\/td>\n<\/tr>\n
1940<\/td>\nExhibition of the Art of the American Negro (1851-1940), assembled by the American Negro Exposition,<\/strong> July 4 \u2013 September 2 1940  <\/td>\nExhibited
\u201cStairway\u201d and \u201dInterior in a Mexican Courtyard\u201d  <\/td>\n		 <\/td>\n

Loaned
by Mrs. Alfreda Duster from the Barnett collection.<\/p>\n

Is
this the same as \u201cThe Stairway\u201d in the Savannah College of Design collection?<\/p><\/td>\n<\/tr>\n

1985<\/td>\nTanner-Harper-Scott, A Mentor and his Influence, Evans-Tibbs Collection<\/strong>, January 18-March 30, 1985.<\/td>\nExhibited \u201cThe Staircase\u201d* (which appears to be the same as \u201cThe Stairway\u201d in the Savannah College of Design collection).<\/td>\n <\/td>\n <\/td>\n<\/tr>\n
1985 – 1988<\/td>\nHidden Heritage, Afro-American Art.<\/strong> Travelling exhibition organized by the Bellevue Art Museum, Bellevue, Washington, and the Art Museum Association of America.<\/td>\nExhibited “Landscape with Poplars (Afternoon in Montigny)” from the Howard University Collection.<\/td>\n <\/td>\n <\/td>\n<\/tr>\n
1992<\/td>\nStedman Gallery, Rutgers University, African American Artists, 1880 to 1987 <\/strong>  <\/td>\nExhibited \u201cPatio Scene\u201d from the Evans-Tibbs Collection.<\/td>\n <\/td>\n[San Antonio, Texas?]<\/td>\n<\/tr>\n
1999 – 2001<\/td>\nConserve a Legacy, American Art from Historically Black Colleges and Universities.<\/strong> Travelling exhibition organized by the Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts, and The Studio Museum in Harlem, New York.<\/td>\nExhibited “Landscape” (or “Autumn in France”) from the Collection of Tuskegee University.<\/td>\n <\/td>\n <\/td>\n<\/tr>\n
2016<\/td>\nDuSable Museum, Chicago, Masterworks Collection Series 1:  Paintings.<\/strong>  <\/td>\nExhibited \u201cLandscape \u2013 Provence, France\u201d.<\/td>\n <\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n

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Other paintings referenced in publications, but not appearing
in exhibitions:<\/p>\n

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\n\n\n\n
1901<\/td>\n <\/td>\nStudent Work \u2013 Oil from life.*<\/td>\nPhoto of painting in Brush and Pencil, Vol.
7, No. 6 (Mar. 1901)<\/td>\n		 <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n

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\n\n\n\n\n\n
 <\/td>\n <\/td>\nNormandy Pines*<\/td>\n <\/td>\nEagles Nest Art Colony Collection, Oregon, Illinois<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nIn France<\/td>\nListed in Catalogue of Paintings, Etchings, Engravings and Sculpture<\/em> of the Union League Club of Chicago, compiled by L. M. McCauley, pgs. 14 and 49<\/td>\nUnion League Club of Chicago,<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\nOver the Hills (one of a group of landscape
sketches)<\/td>\n		Listed in Catalogue of Paintings, Etchings, Engravings and Sculpture<\/em> of the Union League Club of Chicago, compiled by L. M. McCauley, pgs. 14 and 49<\/td>\nUnion League Club of Chicago<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n

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<\/p>","protected":false},"excerpt":{"rendered":"

Lifetime and Memorial Exhibitions Paintings highlighted with asterix are in the Paintings Gallery. Last updated: February 21, 2020. Year Exhibition Painting CatalogueNumber Comments 1899 6th Annual Exhibition of Art Students\u2019 League 1899 Four separate landscapes –priced from $5.00 to $25.00 Nos. 40-43         Charlie – $2.50 N0. 218     1901 7th … Continue reading “Exhibitions”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"_links":{"self":[{"href":"https:\/\/www.williamaharper.com\/wp-json\/wp\/v2\/pages\/83"}],"collection":[{"href":"https:\/\/www.williamaharper.com\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.williamaharper.com\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.williamaharper.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.williamaharper.com\/wp-json\/wp\/v2\/comments?post=83"}],"version-history":[{"count":25,"href":"https:\/\/www.williamaharper.com\/wp-json\/wp\/v2\/pages\/83\/revisions"}],"predecessor-version":[{"id":644,"href":"https:\/\/www.williamaharper.com\/wp-json\/wp\/v2\/pages\/83\/revisions\/644"}],"wp:attachment":[{"href":"https:\/\/www.williamaharper.com\/wp-json\/wp\/v2\/media?parent=83"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}