<\/figure>\n<\/figure>\n\n\n\nScene in Mexico. Oil on canvas laid down on board. 18\u201d x 20\u201d. Around 1909. Sold by Black Art Auction in 2023.<\/p>\n\n\n\n“Three Mexican Women”. Oil. Possibly No. 14 in memorial Exhibition of Paintings by William A. Harper, Art Institute of Chicago. July 26-August 28, 1910<\/b>. Location unknown. <\/figcaption><\/figure>\n\n\n\n Possibly \u201cThe Terrace”, No 25 from 1910 memorial exhibition (has No. 25 handwritten on back). Oil on canvas. 4.5\u201d x 7\u201d. Note similarity to \u201cThe Patio\u201d in black and white below. Private collection. Springfield, Oregon. <\/figcaption><\/figure>\n\n\n\n “The Patio”. Probably No. 110 in Exhibition of Works by Chicago Artists, Art Institute of Chicago. January 4-January 30, 1910, and No. 31 in memorial Exhibition of Paintings by William A. Harper, Art Institute of Chicago, July 26-August 28, 1910. 15 1\/5″ x 21 1\/2 “. Circa 1908. In the collection of The Harmon and Harriet Kelley Foundation for The Arts, San Antonio, Texas. Note similarity to “The Terrace” above. <\/figcaption><\/figure>\n\n\n\n “Midday in August”, No. 19 in posthumous memorial exhibition in 1910. Reproduced as \u201cMidday in August\u201d in the Chicago Sunday Record Herald, August 7, 1910. Oil on panel. 8.57″ x 13.5″. Private Collection. <\/figcaption><\/figure>\n\n\n\nOil on canvas. 12.5″ x 17.5″. Private collection. Springfield, Oregon. <\/figcaption><\/figure>\n\n\n\n\n <\/figure>\nA bridge in Mexico. Oil on board. 10 1\/2\u201d x 13 \u00be\u201d. Around 1909 \u2013 1910. Possibly painting No. 3 entitled \u201cA bridge in Mexico\u201d from the Exhibition of Paintings by William A. Harper (memorial exhibition) catalog, Art Institute of Chicago, July 26 to August 28, 1910. On the back of the painting is written a number \u201c3\u201d, and a price of \u201c$50.00\u201d. Private collection, Texas.<\/figcaption><\/figure>\n\n\n\nStudent work. Oil from life. Reproduced in “Brush and Pencil”, Vol. 7, No. 6 (March 1901), p. 369. Location unknown.<\/figcaption><\/figure>\n\n\n\n“First Sign of Autumn”. Around 1901. Reproduced in “Brush and Pencil”, Vol. 9, No. 6 (March 1902) pp. 336-46. Probably No. 95 in Exhibition of Works by Chicago Artists, Art Institute of Chicago, February 3- March 2, 1902. Location unknown.<\/figcaption><\/figure>\n\n\n\n“Eventide, Cornwall, England”. Reproduced in “William A. Harper” by Florence Lewis Bentley, January 1906, in Voice of the Negro. Probably No., 103 in Exhibition of Works by Chicago Artists, Art Institute of Chicago, January 21-February 26, 1905. Location unknown.<\/em><\/figcaption><\/figure>\n\n\n\n“Banks of the Laing [or Loing], Montigny, France”. Reproduced in “William A. Harper” by Florence Lewis Bentley, January 1906, in Voice of the Negro. Probably No., 104 in Exhibition of Works by Chicago Artists, Art Institute of Chicago, January 21-February 26, 1905. Location unknown.<\/figcaption><\/figure>\n\n\n\n“Young Poplars and Willows”. Reproduced in “William A. Harper” by Florence Lewis Bentley, January 1906, in Voice of the Negro. Exhibited in Tenth Annual Exhibition of the Society of Western Artists, 1906. Location unknown.<\/figcaption><\/figure>\n\n\n\n“Lowland Pastures”. About 1905. No. 108 in Exhibition of Works by Chicago Artists, Art Institute of Chicago. January 30-February 25, 1906 (reproduced therein). Location unknown.<\/figcaption><\/figure>\n\n\n\nLandscape. Reproduced in “The Negro in Art Week”. November 16-23, 1927. In 1940, labeled “The Sunlit Wall: Brittany”, oil, 1905, in The Negro in Art, by Alain Locke. Owned by Walter J. Sherwood at that time.<\/figcaption><\/figure>\n\n\n\nLandscape. Reproduced in “The Negro in Art Week”. November 16-23, 1927. In 1940, labeled “Provincial Landscape”, oil, 1908, in The Negro in Art, by Alain Locke. Owned by Charles H. Burkholder at that time.<\/figcaption><\/figure>\n\n\n\n“Illinois Landscape”. Reproduced in Inter Ocean, November 8, 1908. Probably No. 121 in 21st Annual Exhibition of Oil Paintings and Sculpture by American Artists. October 20-November 29, 1908. Location unknown.<\/figcaption><\/figure>\n\n\n\nLandscape. Reproduced in American Negro Art, by Cedric Dover, 1960. Owned by Joseph A. Kersey at that time.<\/figcaption><\/figure>\n\n\n\n<\/p>\n\n\n\n
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(Last updated February 20, 2024) Approximately one hundred twenty paintings by Harper are listed in period records. The ones identified to date are included below. Many of these images were captured off of the internet or taken out of old books and articles and are therefore not of the best quality. If an owner has … Continue reading “Paintings Gallery”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"_links":{"self":[{"href":"https:\/\/www.williamaharper.com\/wp-json\/wp\/v2\/pages\/82"}],"collection":[{"href":"https:\/\/www.williamaharper.com\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.williamaharper.com\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.williamaharper.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.williamaharper.com\/wp-json\/wp\/v2\/comments?post=82"}],"version-history":[{"count":98,"href":"https:\/\/www.williamaharper.com\/wp-json\/wp\/v2\/pages\/82\/revisions"}],"predecessor-version":[{"id":761,"href":"https:\/\/www.williamaharper.com\/wp-json\/wp\/v2\/pages\/82\/revisions\/761"}],"wp:attachment":[{"href":"https:\/\/www.williamaharper.com\/wp-json\/wp\/v2\/media?parent=82"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}